Monday, September 7, 2015

Olivia by Ian Falconer

Summary:
   Olivia the energetic pig wanted to enjoy her day doing her most favorite things. The only thing in her way is the dreaded daily nap that has to happen...maybe. Only Mom can help ease her sleeping tensions by reading multiple children's stories. Olivia can finally fall asleep and dream.
Visual Element:
    Despite going through the minimalist route, Falconer has been able to create an imaginative world for Olivia using texture to enhance the setting. By using texture, Olivia's sandcastle shows depth and immense size; her favorite image in the art museum seems to pop right out of the book! Through his subtle choices, Falconer has given the reader just the right amount of visual appeal to enjoy.  
Evaluative Criteria:
    Falconer's illustrations have made Olivia enjoyable because they command attention. By choosing to keep his pages clean, colorless, and simple, the readers can enjoy and appreciate the beauty of the images he did choose to include. 

Falconer, I. (2000) Olivia. New York, NY: Atheneum Books for Young Readers. 


Martina the Beautiful Cockroach by Carmen Agra Deedy and Illustrated by Michael Austin

Summary:
       Martina Josefina Catalina Cucaracha was looking for a potential husband! How did she spot the unsuitable suitors? With her Cuban Abuelita's Coffee Test of course! All she had to do was spill some coffee on the shoes of the potential grooms to see their reaction. After multiple failures, including some eligible bachelors, Martina found an acceptable husband in an unlikely candidate. Congratulations to the joyous newlyweds. 
Visual Element of Art:
      In Martina the Beautiful Cockroach, we are introduced to many beautiful colors to accentuate the different suitors introduced. For example, when we are introduced to the first suitor, Don Gallo, the colors are bright and vivid to show the beginning of the day as well as showcase his immense presence. By the end of the day though, the colors soften as we are introduced to Martina's soon-to-be husband Perez.  We can conclude that color is used for two purposes in this book from beginning to end: 1) the "bigger" the presence, the stronger the color and 2) to show elapsing of time. 

     Evaluative Criteria:
      Deedy and Austin intertwined words and images to help bring out the cultural aspect of the folktale. By using both English and Spanish, Deedy was able to help translate the original meaning of the folktale without compromising the origin. Austin brought these images to life by incorporating the streets of Havana as well as objects mentioned such as the peineta and mantilla. This gives the readers a taste of cultural traditions and language that might not be experienced first-hand. Coming from a Hispanic background, I can see the significance of the peineta and mantilla because they are objects that my grandmother used to use, so seeing them in this story reminds me of traditional customs that aren't widely practiced anymore. 
How I used it in my class:
    I teach 8th grade ELAR and we are currently working on the elements of plot. My librarian and I created centers around plot and students had about 20-25 minutes for each. Center 1- students were given a children's book to read and create a plot diagram for them, this is where Martina came in. 
Center 2- students were given a baggie with a list of objects (Martina included objects like the mantilla and peineta so you could include these if you like) and needed to create their own short story following the elements of plot. 
Center 3- students had to create an alternate ending, following the plot diagram, for a short story they read. What happens AFTER "happily ever after?"
Deedy, C., & Austin, M. (2007). Martina the beautiful cockroach: A Cuban folktale. Atlanta, GA: Peachtree.